M.U.S.H -DefnyddMyceliumUtilisation for Sustainable Housing (Innovate UK; gyda Severn Oaks Modular, Met Caerdydd a Lab Fab Caerdydd 2023-2024) Co-I yn goruchwylio dylunio a gwneuthuriad ar gyfer Fab Lab.
https://orcid.org/0000-0003-4577-1012
Clwstwr (£5.6m AHRC; Prifysgol Caerdydd, PDC, Met Caerdydd 2020-2023). Un o 12 Cyd-Ymchwilydd a neilltuwyd i ddewis a chyflawni prosiectau a ariennir yn y diwydiannau cyfryngau creadigol ledled De Cymru.
Arbenigedd SMART Developing a Data Physicalisation Framework
DAPTEC (£217k, cyllid Llywodraeth Cymru gydag Asiantaeth Data The Yard a Chyngor Caerdydd 2020-2021). Cyd-archwilwyr Datblygu cyfathrebu creadigol data ecolegol sy'n ymwneud ag Ynys Echin. Cydweithrediad rhwng CST a CSAD.
Rhwydwaith Celf, Gwyddoniaeth a Thechnoleg Ewropeaidd
EASTN (prosiect £1.17m ar draws 15 partner rhyngwladol wedi'i ariannu gan Ewrop Greadigol/UE 2018-2021). Un o bedwar Cyd-ymchwilydd/crewr yng Nghaerdydd.
Pigott, J. et al. 2022. Data Impressions for a Smart City: Exploring New Ways to Present and Engage Citizens in Environmental Data. Journal of Smart Cities and Society 1(2): 149 – 162. DOI: 10.3233/SCS-220002
Pigott, J., Saario, A. 2021. Speaker Park: An intersection of Loudspeaker Design and Post-Acousmatic Composition. In Hepworth-Sawer, R., Paterson, J. and Toulson, R. (eds.) 20201.
Innovation in Music: Future Opportunities. London / New York, Routledge.
ISBN 9780367363352
Pigott, J. 2019. 'Material Systems: kinetic sound art and STS'. In Borgdorff, H., Peters, P. and Pinch, T. (eds.), 2019.
Dialogues Between Artistic Research and Science and Technology Studies. London / New York, Routledge.
https://www.routledge.com/Dialogues-Between-Artistic-Research-and-Science-and-Technology-Studies/Borgdorff-Peters-Pinch/p/book/9781138343856
Pigott, J. 2017. Across Fields: sound, art and technology from an electromechanical perspective.
Organised Sound 22(2) p276-285.
https://www.cambridge.org/core/journals/organised-sound
Pigott, J. and Lyons, A. 2017. 'The Aliveness Machines'. In Bastian, M., Jones, O., Moore, N., and Roe, E., (eds) 2017 Participatory Research in More-Than-Human Worlds. London / New York. Routledge.
https://www.routledge.com/Participatory-Research-in-More-than-Human-Worlds/Bastian-Jones-Moore-
Pigott, J. and Murphy, I. 2016.
The Campanologists Teacup: a creative collaboration of technology and making. Making Futures Journal Vol 4. Available online:
http://makingfutures.plymouthart.ac.uk/2015/journal-home/
Pigott, J and Lyons, A. 2013. Lab Report: Shadows and Undercurrents.
Ubiquity: Journal of Pervasive Media 1(2).
http://www.ubiquityjournal.net
Pigott, J and Lyons, A. 2012. Lab Report: Shadows and Undercurrents.
Ubiquity: Journal of Pervasive Media 1(2) pp2 79-293.
https://doi.org/10.1386/ubiq.1.2.279_7
Pigott, J. 2011. Vibration, Volts and Sonic Art. Proceedings of New Interfaces for Musical Expression (NIME) pp84-87.Universtiy of Oslo, Norway.
http://doi.org/10.5281/zenodo.1178133https://www.nime.org/archives/
2022 - Techniquest, Caerdydd. DAPTEC ffisegoli data Ynys Echni.
2019 -
Digital Design Weekend; Victoria and Albert Museum, London.
The Ceramophone.
2019 -
Borealis Festival of Sound Art; WRAP, Bergen, Norway.
Speaker Park.
2019 / 2018 - Ruthin Craft Centre Denbighshire; Llantarnam Grange Arts Centre Cwmbran; Mission Gallery Swansea; Aberystwyth Arts Centre Aberystwyth.
The Ceramophone and
The Campanologists Tea Cup (collaborative with Ingrid Murphy)
2017 – Kinetica, London.
Electromagnetic Interrogations
2017 – Touchstone, Dublin.
The Syn-T-Sizer (collaborative with Ingrid Murphy).
2015 – British Ceramics Biennale, Stoke-on-Trent.
The Campanologist's Tea Cup (collaborative with Ingrid Murphy).
2014 – The Sensorial Object, Cardiff.
The Campanologist's Tea Cup (collaborative with Ingrid Murphy).
